DIVE INTO THE PICTURE!
Time Travel for Kids
June 2, 2024–Jan 19, 2025
Deutsches Historisches Museum Berlin
Spring, summer, fall, and winter – Labors of the Months are characteristic motifs in fine arts. “Dive Into the Picture” invites children and families to discover the „Augsburger Monatsbilder“ (Augsburg Labors of the Month) from the 16th century. The cycle of four paintings is among the most important works in the collection of the Deutsches Historisches Museum, depicting the people of Augsburg – a Bavarian city 50 miles west of Munich –, their lives and work, leisure and celebrations throughout the four seasons. The centerpiece of the exhibition is the newly restored and reframed first of the four scenes, “Januar – Februar – März” (January – February – March). The inclusive exhibition features numerous interactive stations and hands-on formats that invite visitors to explore and participate.
A literal Zeitgeist greets visitors: the little ghost’s face consists of cut-out eyes and a mouth made of typography. Zeitgeistappears on all communication media, from the exhibition to posters in the city, to playfully and sympathetically convey background knowledge with constantly changing facial expressions. The ghost is supported by a cast of four different characters from the paintings.
These characters first appear at the very beginning of the exhibition in the form of an animated video shadow play, and later as life-sized cutouts with speech bubbles throughout the exhibition. Interactive audio stations, integrated into the characters, provide background information on the various areas of the exhibition. Each represents a different theme: the patrician represents people, the horseman games, the merchant trade and the shepherd represents nature.
#DHMZeitreise
SERVICES
Exhibition graphics, Illustrations, Visual Identity, Key Visual, Campaign (Development and Design), Design of Print Media (Posters, Banners, Flyers, Advertisements)
VISUAL SPACE AGENCY
Julia Volkmar, Anja Rausch
IN COLLABORATION WITH
Studio Bens
CLIENT
Deutsches Historisches Museum Berlin
PRESIDENT
Raphael Gross
DIRECTOR OF EXHIBITIONS
Ulrike Kretzschmar
PROJECT MANAGEMENT
Philipp Springer
CURATION
Petra Larass, Stephanie Neuner
COMMUNICATION
Stephan Adam (Director of Department), Maria Altnau, Christina Behrendt, Ina Frodermann, Laura Groschopp, Jenny Jakubik, Daniela Lange, Alexandra de León, Thabea Lintzmeyer, Ilka Linz, Jana Nawrot, Nicola Schnell, Peter Schützhold, Oliver Schweinoch
VISUAL CONSULTING
Mason Leaver-Yap
GRAPHICS PRODUCTION (Exhibition)
Digidax
PHOTOGRAPHY
Deutsches Historisches Museum / Thomas Bruns (Exhibition), Alexander Butz and Jens Ludewig (Campaign)
Exhibition
The lettering used for the exhibition title is hand-cut. Instructions for interactive stations are mounted on irregularly cut panels. Combined with slanted headings, they emphasize spontaneity and a do-it-yourself spirit to underscore the exhibition’s participatory premise.
A landscape panorama juxtaposes enlarged sections of the 16th-century paintings with line drawings of contemporary scenes. This lively mural, especially in the workshop area, encourages visitors to add their own drawings. All interactive stations feature custom line drawings. With their informal, handmade style and monochrome color, they provide an enticing contrast to the richly detailed Renaissance works.
DIVE INTO THE PICTURE!
Time Travel for Kids
June 2, 2024–Jan 19, 2025
Deutsches Historisches Museum Berlin
Spring, summer, fall, and winter – Labors of the Months are characteristic motifs in fine arts. “Dive Into the Picture” invites children and families to discover the „Augsburger Monatsbilder“ (Augsburg Labors of the Month) from the 16th century. The cycle of four paintings is among the most important works in the collection of the Deutsches Historisches Museum, depicting the people of Augsburg – a Bavarian city 50 miles west of Munich –, their lives and work, leisure and celebrations throughout the four seasons. The centerpiece of the exhibition is the newly restored and reframed first of the four scenes, “Januar – Februar – März” (January – February – March). The inclusive exhibition features numerous interactive stations and hands-on formats that invite visitors to explore and participate.
A literal Zeitgeist greets visitors: the little ghost’s face consists of cut-out eyes and a mouth made of typography. Zeitgeistappears on all communication media, from the exhibition to posters in the city, to playfully and sympathetically convey background knowledge with constantly changing facial expressions. The ghost is supported by a cast of four different characters from the paintings.
These characters first appear at the very beginning of the exhibition in the form of an animated video shadow play, and later as life-sized cutouts with speech bubbles throughout the exhibition. Interactive audio stations, integrated into the characters, provide background information on the various areas of the exhibition. Each represents a different theme: the patrician represents people, the horseman games, the merchant trade and the shepherd represents nature.
#DHMZeitreise
SERVICES
Exhibition graphics, Illustrations, Visual Identity, Key Visual, Campaign (Development and Design), Design of Print Media (Posters, Banners, Flyers, Advertisements)
VISUAL SPACE AGENCY
Julia Volkmar, Anja Rausch
IN COLLABORATION WITH
Studio Bens
CLIENT
Deutsches Historisches Museum Berlin
PRESIDENT
Raphael Gross
DIRECTOR OF EXHIBITIONS
Ulrike Kretzschmar
PROJECT MANAGEMENT
Philipp Springer
CURATION
Petra Larass, Stephanie Neuner
COMMUNICATION
Stephan Adam (Director of Department), Maria Altnau, Christina Behrendt, Ina Frodermann, Laura Groschopp, Jenny Jakubik, Daniela Lange, Alexandra de León, Thabea Lintzmeyer, Ilka Linz, Jana Nawrot, Nicola Schnell, Peter Schützhold, Oliver Schweinoch
VISUAL CONSULTING
Mason Leaver-Yap
GRAPHICS PRODUCTION (Exhibition)
Digidax
PHOTOGRAPHY
Deutsches Historisches Museum / Thomas Bruns (Exhibition), Alexander Butz and Jens Ludewig (Campaign)
Exhibition
The lettering used for the exhibition title is hand-cut. Instructions for interactive stations are mounted on irregularly cut panels. Combined with slanted headings, they emphasize spontaneity and a do-it-yourself spirit to underscore the exhibition’s participatory premise.
A landscape panorama juxtaposes enlarged sections of the 16th-century paintings with line drawings of contemporary scenes. This lively mural, especially in the workshop area, encourages visitors to add their own drawings. All interactive stations feature custom line drawings. With their informal, handmade style and monochrome color, they provide an enticing contrast to the richly detailed Renaissance works.
Campaign