{"id":2734,"date":"2026-05-08T12:00:04","date_gmt":"2026-05-08T10:00:04","guid":{"rendered":"https:\/\/visual-space-agency.com\/gewalt-ausstellen-copy\/"},"modified":"2026-05-28T18:52:23","modified_gmt":"2026-05-28T16:52:23","slug":"objekte-geschichten-geschichte","status":"publish","type":"post","link":"https:\/\/visual-space-agency.com\/en\/objekte-geschichten-geschichte\/","title":{"rendered":"OBJECTS. HISTORY. 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HISTORY. STORIES.<br \/>Reviewing the Collection<br \/>Deutsches Historisches Museum Berlin<br \/>May 8, 2026\u2013Oct 31, 2027<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": true,\r\n      \"classes\": \"intro-sticky-title color-cycle color-cycle-active \"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20pxWhite\\\">The Deutsches Historisches Museum was founded in West Berlin in 1987. Its collection is older, and its history far more complicated. \u201cObjects. History. Stories. Reviewing the Collection\u201d draws on that complexity, presenting exclusively objects from DHM\u02bcs own collection and tracing their journeys through political, social, and cultural contexts. History, the exhibition argues, is not only a sequence in time, it is bound to specific places and settings. Seen this way, the collection becomes a mirror of the institutions behind it: the Ruhmeshalle of the Prussian-Brandenburg army, the war museum of the Nazi regime, the Museum f\u00fcr deutsche Geschichte of the GDR, and the DHM itself. What was collected, and under what political conditions, makes the act of collecting a historical document.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition is organized around two thematic areas: collection history and object history. A strong color contrast makes this division immediately legible: dusky pink for collection history, deep blue for object history. The pink tone references the facade of the Zeughaus which houses DHM\u02bcs permanent collection and remains closed during its redesign. Both colors divide the two areas distinctly, both spatially and thematically.<\/p><p class=\\\"_Standard20pxWhite\\\">Throughout, elements of DHM\u02bcs new corporate identity, rounded corners and the institution\u02bcs typeface, anchor the exhibition graphics within the museum\u02bcs visual language. Large-format timelines structure the collection history, rendering institutional developments legible across time. In the blue areas, maps accompany the object histories: each a self-contained document tracking an object\u02bcs provenance, context, and shifts in significance.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition is designed to be inclusive and largely accessible throughout. Dedicated inclusive stations and a range of hands-on exhibits invite visitors of all ages to browse and engage directly with the material.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 4,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 5,\r\n      \"absolute_position\": true\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES<br \/>Exhibition Graphics, Maps and Graphics <br \/><br \/>VISUAL SPACE AGENCY<br \/>Julia Volkmar, Anja Rausch, Lia Bach <br \/><br \/><br \/>PRESIDENT<br \/>Raphael Gross <br \/><br \/>DIRECTOR OF EXHIBITIONS<br \/>Ulrike Kretzschmar <br \/><br \/>PROJECT MANAGEMENT<br \/>Dorlis Blume <br \/><br \/>CURATOR<br \/>Wolfgang Cortjaens <br \/><br \/>CURATORIAL ASSOCIATE<br \/>Simon Sacha <br \/><br \/>PROJECT ASSISTANCE<br \/>Martin Koch <br \/><br \/>VISUAL CONSULTING<br \/>Mason Leaver-Yap <br \/><br \/>EXHIBITION DESIGN<br \/>Hans Hagemeister, Johannes Karger, Gregor M\u00fcller-\u00dcbach, Marie-Luise Uhle <br \/><br \/>EDUCATION AND PUBLIC PROGRAMS<br \/>Brigitte Vogel-Janotta (Leitung), Verena Bischoff, Claudia Braun Carrasco, Giorgio Del Vecchio, Rebecca Junglas, Giuliano Kluger, Stella Krekeler, Max Wandel (Referententeam), Anna-Lena Janako, Andrea Schenk (Besucherservice) <br \/><br \/>MAP TEMPLATES<br \/>Peter Palm <br \/><br \/>GRAPHIC PRODUCTION<br \/>Digidax, Potsdam <br \/><br \/>PHOTOGRAPHY<br \/>Lia Bach<br \/>DHM, Harry Schnitger<br \/>DHM, Peter von Becker<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 10,\r\n      \"relid\": 6,\r\n      \"absolute_position\": true\r\n    },\r\n    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HISTORY. STORIES.<br \/>Reviewing the Collection<br \/>Deutsches Historisches Museum Berlin<br \/>May 8, 2026\u2013Oct 31, 2027<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"5\",\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false,\r\n      \"classes\": \"intro-sticky-title color-cycle color-cycle-active \"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20pxWhite\\\">The Deutsches Historisches Museum was founded in West Berlin in 1987. Its collection is older, and its history far more complicated. \u201cObjects. History. Stories. Reviewing the Collection\u201d draws on that complexity, presenting exclusively objects from DHM\u02bcs own collection and tracing their journeys through political, social, and cultural contexts. History, the exhibition argues, is not only a sequence in time, it is bound to specific places and settings. Seen this way, the collection becomes a mirror of the institutions behind it: the Ruhmeshalle of the Prussian-Brandenburg army, the war museum of the Nazi regime, the Museum f\u00fcr deutsche Geschichte of the GDR, and the DHM itself. What was collected, and under what political conditions, makes the act of collecting a historical document.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition is organized around two thematic areas: collection history and object history. A strong color contrast makes this division immediately legible: dusky pink for collection history, deep blue for object history. The pink tone references the facade of the Zeughaus which houses DHM\u02bcs permanent collection and remains closed during its redesign. Both colors divide the two areas distinctly, both spatially and thematically.<\/p><p class=\\\"_Standard20pxWhite\\\">Throughout, elements of DHM\u02bcs new corporate identity, rounded corners and the institution\u02bcs typeface, anchor the exhibition graphics within the museum\u02bcs visual language. Large-format timelines structure the collection history, rendering institutional developments legible across time. In the blue areas, maps accompany the object histories: each a self-contained document tracking an object\u02bcs provenance, context, and shifts in significance.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition is designed to be inclusive and largely accessible throughout. Dedicated inclusive stations and a range of hands-on exhibits invite visitors of all ages to browse and engage directly with the material.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"10\",\r\n      \"spacebelow\": \"5\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES<br \/>Exhibition Graphics, Maps and Graphics <br \/><br \/>VISUAL SPACE AGENCY<br \/>Julia Volkmar, Anja Rausch, Lia Bach <br \/><br \/><br \/>PRESIDENT<br \/>Raphael Gross <br \/><br \/>DIRECTOR OF EXHIBITIONS<br \/>Ulrike Kretzschmar <br \/><br \/>PROJECT MANAGEMENT<br \/>Dorlis Blume <br \/><br \/>CURATOR<br \/>Wolfgang Cortjaens <br \/><br \/>CURATORIAL ASSOCIATE<br \/>Simon Sacha <br \/><br \/>PROJECT ASSISTANCE<br \/>Martin Koch <br \/><br \/>VISUAL CONSULTING<br \/>Mason Leaver-Yap <br \/><br \/>EXHIBITION DESIGN<br \/>Hans Hagemeister, Johannes Karger, Gregor M\u00fcller-\u00dcbach, Marie-Luise Uhle <br \/><br \/>EDUCATION AND PUBLIC PROGRAMS<br \/>Brigitte Vogel-Janotta (Leitung), Verena Bischoff, Claudia Braun Carrasco, Giorgio Del Vecchio, Rebecca Junglas, Giuliano Kluger, Stella Krekeler, Max Wandel (Referententeam), Anna-Lena Janako, Andrea Schenk (Besucherservice) <br \/><br \/>MAP TEMPLATES<br \/>Peter Palm <br \/><br \/>GRAPHIC PRODUCTION<br \/>Digidax, Potsdam <br \/><br \/>PHOTOGRAPHY<br \/>Lia Bach<br \/>DHM, Harry Schnitger<br \/>DHM, Peter von Becker<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"5\",\r\n      \"spacebelow\": \"10\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n     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