{"id":2247,"date":"2025-04-11T16:00:55","date_gmt":"2025-04-11T14:00:55","guid":{"rendered":"https:\/\/visual-space-agency.com\/roads-not-taken-copy\/"},"modified":"2025-11-18T21:05:44","modified_gmt":"2025-11-18T20:05:44","slug":"yoko-ono","status":"publish","type":"post","link":"https:\/\/visual-space-agency.com\/en\/yoko-ono\/","title":{"rendered":"YOKO ONO"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":2272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,75,27,9],"tags":[20],"class_list":["post-2247","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-exhibition-graphics","category-campaign","category-poster","tag-gropius-bau"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    0,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    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White typography, set against light gray, creates a soft contrast, almost receding into the background while Ono\u2019s black-and-white portrait takes center stage. Her direct gaze into the camera meets those of passersby encountering the exhibition posters and banners across the city.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition graphics draw on the visual identity of the Gropius Bau while leaving space for the poetic, participatory, and transformative artworks.<\/p><p class=\\\"_Standard20pxWhite\\\">Curatorial texts such as room texts, introductions, and labels follow the clear and restrained design language of Gropius Bau\u2019s identity, allowing them to step back visually. In contrast, the textual instructions for Ono\u2019s participatory and interactive works are typographically emphasized according to the artist\u2019s precise specifications. This creates a clear visual distinction between the two layers of content.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 4,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES<br \/>Campaign, Poster, Design of print media (banners, flyers, advertisements), exhibition graphics <br \/><br \/>TEAM VSA<br \/>Julia Volkmar, Esther Matusche (image editing)<br \/><br \/><br \/>YOKO ONO: MUSIC OF THE MIND is organized by Tate Modern, London, in collaboration with Gropius Bau, Berlin, and Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf.<\/p><p class=\\\"_ProjectCreditsWhite\\\">CLIENT<br \/>Gropius Bau Berlin, Berliner Festspiele<br \/><br \/>DIRECTOR<br \/>Jenny Schlenzka<br \/><br \/>CURATORS<br \/>Patrizia Dander<br \/>Juliet Bingham<br \/><br \/>ASSISTANT CURATORS\u00a0<br \/>Sonja Borstner<br \/>Andrew de Br\u00fan<br \/><br \/>PROJECT MANAGEMENT EXHIBITION<br \/>Lisa Tietze<br \/><br \/>PROJECT MANAGEMENT<br \/>Sophie Winckler<br \/><br \/><span>COMMUNICATION AND MARKETING<br \/>Natalie Sch\u00fctze (Lead), Ellen Clemens, Matthias K\u00e4hlert, Katrin Mundorf<\/span><\/p><p class=\\\"_ProjectCreditsWhite\\\"><br \/>PHOTOS<br \/>Malte Andersen<br \/>Gropius Bau \/ Luca Girardini<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": 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\"\/wp-content\/uploads\/2025\/09\/28_Yoko-Ono_Exhibition_Gropius-Bau_Visual-Space-Agency.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 3,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 93,\r\n      \"attid\": 2276,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/09\/28_Yoko-Ono_Exhibition_Gropius-Bau_Visual-Space-Agency.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2025\/09\/28_Yoko-Ono_Exhibition_Gropius-Bau_Visual-Space-Agency-1280x1920.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/09\/28_Yoko-Ono_Exhibition_Gropius-Bau_Visual-Space-Agency-1024x1536.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/09\/28_Yoko-Ono_Exhibition_Gropius-Bau_Visual-Space-Agency-768x1152.jpg\",\r\n        \"_512\": 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Additional handwritten texts appear in the first room of the exhibition, such as the invitation \u201cStay until the room is blue.\u201d<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 8,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 18,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/09\/14_Yoko-Ono_Exhibition_Gropius-Bau_Visual-Space-Agency.jpg\",\r\n      \"align\": \"middle\",\r\n      \"row\": 7,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 84,\r\n      \"attid\": 2271,\r\n      \"sizes\": {\r\n        \"full\": 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\"spaceabove\": \"5\",\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false,\r\n      \"classes\": \"intro-sticky-title color-cycle\",\r\n      \"frameOverflow\": \"right\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20pxWhite\\\">\u201cYoko Ono: Music of the Mind\u201d, an extensive retrospective, opens up new perspectives on the pioneering Japanese-American artist who gained international recognition as a central figure of the Fluxus movement.<\/p><p class=\\\"_Standard20pxWhite\\\">For the accompanying campaign, Yoko Ono is present throughout Berlin: the campaign motif features a portrait of the artist holding one of her works (<i>Yoko Ono with Glass Hammer<\/i>, 1967). White typography, set against light gray, creates a soft contrast, almost receding into the background while Ono\u2019s black-and-white portrait takes center stage. Her direct gaze into the camera meets those of passersby encountering the exhibition posters and banners across the city.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition graphics draw on the visual identity of the Gropius Bau while leaving space for the poetic, participatory, and transformative artworks.<\/p><p class=\\\"_Standard20pxWhite\\\">Curatorial texts such as room texts, introductions, and labels follow the clear and restrained design language of Gropius Bau\u2019s identity, allowing them to step back visually. In contrast, the textual instructions for Ono\u2019s participatory and interactive works are typographically emphasized according to the artist\u2019s precise specifications. This creates a clear visual distinction between the two layers of content.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"10\",\r\n      \"spacebelow\": \"5\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES<br \/>Campaign, Poster, Design of print media (banners, flyers, advertisements), exhibition graphics <br \/><br \/>TEAM VSA<br \/>Julia Volkmar, Esther Matusche (image editing)<br \/><br \/><br \/>YOKO ONO: MUSIC OF THE MIND is organized by Tate Modern, London, in collaboration with Gropius Bau, Berlin, and Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf.<\/p><p class=\\\"_ProjectCreditsWhite\\\">CLIENT<br \/>Gropius Bau Berlin, Berliner Festspiele<br \/><br \/>DIRECTOR<br \/>Jenny Schlenzka<br \/><br \/>CURATORS<br \/>Patrizia Dander<br \/>Juliet Bingham<br \/><br \/>ASSISTANT CURATORS\u00a0<br \/>Sonja Borstner<br \/>Andrew de Br\u00fan<br \/><br \/>PROJECT MANAGEMENT EXHIBITION<br \/>Lisa Tietze<br \/><br \/>PROJECT MANAGEMENT<br \/>Sophie Winckler<br \/><br \/><span>COMMUNICATION AND MARKETING<br \/>Natalie Sch\u00fctze (Lead), Ellen Clemens, Matthias K\u00e4hlert, Katrin Mundorf<\/span><\/p><p class=\\\"_ProjectCreditsWhite\\\"><br \/>PHOTOS<br \/>Malte Andersen<br \/>Gropius Bau \/ Luca Girardini<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"5\",\r\n      \"spacebelow\": \"10\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20px\\\" style=\\\"text-align: 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