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across Europe grappling with the legacy of Nazi violence. \u201cOn Displaying Violence: First Exhibitions on the Nazi Occupation in Europe, 1945\u20131948\u201d examines six of those pioneering exhibitions. Organized between 1945 and 1948 by a diverse group of curators, including Holocaust survivors and others persecuted by the regime, these exhibitions sought to make sense of loss, resistance, and the violence experienced.<\/p><p class=\\\"_Standard20pxWhite\\\">\u201cOn Displaying Violence\u201d is a collaboration between the Documentation Centre \u201cGerman Occupation of Europe in the Second World War\u201d (ZWBE) and the Deutsches Historisches Museum (German Historical Museum) in Berlin.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 4,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 5,\r\n      \"absolute_position\": true\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES <br \/>Campaign (Development and Design), Design of Print Media (Poster, Banner, Flyer, Advertisements), Visual Identity, Key Visual, Exhibition graphics, Catalog<br \/><br \/>TEAM VSA <br \/>Julia Volkmar with Anja Rausch, Lisa Pflasterer, Lia Bach<br \/><br \/>IN COLLABORATION WITH <br \/>Studio Bens<br \/><br \/><br \/>CLIENT <br \/>Deutsches Historisches Museum Berlin<br \/><br \/>PRESIDENT <br \/>Raphael Gross<br \/><br \/>DIRECTOR OF EXHIBITIONS <br \/>Ulrike Kretzschmar<br \/><br \/>HEAD OF PROJECT <br \/>Philipp Springer<br \/><br \/>CURATOR <br \/>Agata Pietrasik<br \/><br \/>RESEARCH ASSOCIATES <br \/>Christian Schmittwilken, Maciej Guga\u0142a<br \/><br \/>PROJECT ASSISTANT <br \/>Tomoko Mamine<br \/><br \/>RESEARCH TRAINEE <br \/>Niklas Krekeler<br \/><br \/>EXHIBITION ARCHITECTURE <br \/>Hans Hagemeister, Marie-Luise Uhle, Johannes Karger (stud. Mitarbeiter \/ Student assistant), Jelle Spieker<br \/><br \/>COMMUNICATION <br \/>Stephan Adam, Christina Behrendt, Ina Frodermann, Vivien Gidde, Jenny Jakubik, Daniela Lange, Alexandra de Le\u00f3n, Thabea Lintzmeyer, Ilka Linz, Jana Nawrot, Nicola Schnell, Peter Sch\u00fctzhold, Oliver Schweinoch<br \/><br \/>VISUAL CONSULTING <br \/>Mason Leaver-Yap<br \/><br \/>GRAPHICS PRODUCTION (Exhibition) <br \/>Digidax<br \/><br \/>PHOTOGRAPHY<br \/>Deutsches Historisches Museum \/ David von Becker, Sandra K\u00fchnapfel<br \/>Malte Andersen<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 10,\r\n      \"relid\": 6,\r\n      \"absolute_position\": true\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 5,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 5,\r\n      \"relid\": 30,\r\n      \"attid\": 2327,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency-1920x1324.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency-1280x882.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency-1024x706.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency-768x529.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency-512x353.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/09\/4_Gewalt-ausstellen_Exhibition_DHM-Berlin_Visual-Space-Agency-265x183.jpg\"\r\n      },\r\n      \"w\": 2350,\r\n      \"h\": 1620,\r\n      \"ar\": 0.6893617021276596,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20px\\\" style=\\\"text-align: left;\\\">Exhibition<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1.2,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"absolute_position\": false,\r\n      \"dosync\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20px\\\">In the exhibition, visitors follow a thoughtfully designed route through the Pei Building, which is transformed by life-sized projections of postwar exhibitions from London to Paris to Warsaw, Liberec, and Bergen-Belsen. 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class=\\\"_Standard20pxWhite\\\">In the immediate aftermath of World War II, exhibitions emerged across Europe grappling with the legacy of Nazi violence. \u201cOn Displaying Violence: First Exhibitions on the Nazi Occupation in Europe, 1945\u20131948\u201d examines six of those pioneering exhibitions. Organized between 1945 and 1948 by a diverse group of curators, including Holocaust survivors and others persecuted by the regime, these exhibitions sought to make sense of loss, resistance, and the violence experienced.<\/p><p class=\\\"_Standard20pxWhite\\\">\u201cOn Displaying Violence\u201d is a collaboration between the Documentation Centre \u201cGerman Occupation of Europe in the Second World War\u201d (ZWBE) and the Deutsches Historisches Museum (German Historical Museum) in Berlin.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"10\",\r\n      \"spacebelow\": \"5\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES <br \/>Campaign (Development and Design), Design of Print Media (Poster, Banner, Flyer, Advertisements), Visual Identity, Key Visual, Exhibition graphics, Catalog<br \/><br \/>TEAM VSA <br \/>Julia Volkmar with Anja Rausch, Lisa Pflasterer, Lia Bach<br \/><br \/>IN COLLABORATION WITH <br \/>Studio Bens<br \/><br \/><br \/>CLIENT <br \/>Deutsches Historisches Museum Berlin<br \/><br \/>PRESIDENT <br \/>Raphael Gross<br \/><br \/>DIRECTOR OF EXHIBITIONS <br \/>Ulrike Kretzschmar<br \/><br \/>HEAD OF PROJECT <br \/>Philipp Springer<br \/><br \/>CURATOR <br \/>Agata Pietrasik<br \/><br \/>RESEARCH ASSOCIATES <br \/>Christian Schmittwilken, Maciej Guga\u0142a<br \/><br \/>PROJECT ASSISTANT <br \/>Tomoko Mamine<br \/><br \/>RESEARCH TRAINEE <br \/>Niklas Krekeler<br \/><br \/>EXHIBITION ARCHITECTURE <br \/>Hans Hagemeister, Marie-Luise Uhle, Johannes Karger (stud. Mitarbeiter \/ Student assistant), Jelle Spieker<br \/><br \/>COMMUNICATION <br \/>Stephan Adam, Christina Behrendt, Ina Frodermann, Vivien Gidde, Jenny Jakubik, Daniela Lange, Alexandra de Le\u00f3n, Thabea Lintzmeyer, Ilka Linz, Jana Nawrot, Nicola Schnell, Peter Sch\u00fctzhold, Oliver Schweinoch<br \/><br \/>VISUAL CONSULTING <br \/>Mason Leaver-Yap<br \/><br \/>GRAPHICS PRODUCTION (Exhibition) <br \/>Digidax<br \/><br \/>PHOTOGRAPHY<br \/>Deutsches Historisches Museum \/ David von Becker, Sandra K\u00fchnapfel<br \/>Malte Andersen<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"5\",\r\n      \"spacebelow\": \"10\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": true,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20px\\\" style=\\\"text-align: center;\\\">Exhibition<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1.04,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"dosync\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20px\\\">In the exhibition, visitors follow a thoughtfully designed route through the Pei Building, which is transformed by life-sized projections of postwar exhibitions from London to Paris to Warsaw, Liberec, and Bergen-Belsen. 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