{"id":215,"date":"2022-08-11T22:29:15","date_gmt":"2022-08-11T20:29:15","guid":{"rendered":"https:\/\/visual-space-agency.com\/yoyi-care-repair-heal-2\/"},"modified":"2025-11-19T21:40:24","modified_gmt":"2025-11-19T20:40:24","slug":"incomplete","status":"publish","type":"post","link":"https:\/\/visual-space-agency.com\/en\/incomplete\/","title":{"rendered":"IN:COMPLETE"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":921,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,49,5,50],"tags":[83],"class_list":["post-215","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-ausstellungsdesign","category-spatial-design","category-szenografie","tag-kunstbibliothek-staatliche-museen-zu-berlin"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    0,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    1,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 10,\r\n  \"rightFrameMargin\": 10,\r\n  \"topFrameMargin\": 0,\r\n  \"bottomFrameMargin\": 20,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 921,\r\n        \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar.png\",\r\n        \"sizes\": {\r\n          \"_1920\": {\r\n            \"w\": 1920,\r\n            \"h\": 1280,\r\n            \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar-1920x1280.png\"\r\n          },\r\n          \"_1280\": {\r\n            \"w\": 1280,\r\n            \"h\": 853,\r\n            \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar-1280x853.png\"\r\n          },\r\n          \"_1024\": {\r\n            \"w\": 1024,\r\n            \"h\": 683,\r\n            \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar-1024x683.png\"\r\n          },\r\n          \"_768\": {\r\n            \"w\": 768,\r\n            \"h\": 512,\r\n            \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar-768x512.png\"\r\n          },\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 341,\r\n            \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar-512x341.png\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 177,\r\n            \"url\": \"\/wp-content\/uploads\/2023\/02\/14_In-Complete_Exhibition_Julia-Volkmar-265x177.png\"\r\n          }\r\n        }\r\n      },\r\n      \"row100vh\": true,\r\n      \"rowcustomheight\": \"\",\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"bgcolor\": \"#000000\",\r\n      \"row100vh\": false,\r\n      \"rowcustomheight\": \"80vh\",\r\n      \"relid\": 8\r\n    },\r\n    {\r\n      \"relid\": 751\r\n    },\r\n    {\r\n      \"relid\": 753\r\n    },\r\n    {\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"relid\": 754\r\n    },\r\n    {\r\n      \"relid\": 755\r\n    },\r\n    {\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"relid\": 757\r\n    },\r\n    {\r\n      \"relid\": 756\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20pxWhite\\\"><span style=\\\"color: #ffffff;\\\">IN:COMPLETE<\/span><br \/><span style=\\\"color: #ffffff;\\\">Destroyed, Divided, Complemented<\/span><br \/><span style=\\\"color: #ffffff;\\\">Sept 20, 2022\u2013Jan 1, 2023<\/span><br \/><span style=\\\"color: #ffffff;\\\"><a style=\\\"color: #ffffff;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/www.smb.museum\/en\/exhibitions\/detail\/incomplete\/\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">Kunstbibliothek<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": true,\r\n      \"classes\": \"intro-sticky-title color-cycle\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20pxWhite\\\">The Berlin Art Library\u2019s exhibition \u201cIN:COMPLETE. Destroyed, Divided, Completed,\u201d showcases fragmented artworks spanning various eras and genres. The exhibition meticulously explores the intricate histories behind these fragments, not just as catalysts for scholarly discussion but also as windows into the complex realm of musealization. Akin to the concept of fragmentation, musealization involves placing objects outside their initial context. Featuring exhibits from 23 collections within the Stiftung Preu\u00dfischer Kulturbesitz, the exhibition invites visitors to unravel the complex stories behind these fragments.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition design embraces the theme of fragmentation, with texts spanning sections of walls painted in a striking yellow, disregarding their boundaries. Fracture lines on the floor tiles serve as a navigational guide, creating a cohesive routing system throughout the exhibition space. Headings seem on the brink of typographical disintegration, mirroring the fragmented nature of the exhibits. Even the object labels mimic fragments, boasting irregular shapes reminiscent of shards. The wall texts\u2019 margins are harsh and irregular. Like puzzle pieces, one text\u2019s margin is mirrored in that of its translation. The theme of fragmentation weaves through all layers of the exhibition, creating a visually compelling and thematically unified experience.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 4,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 5,\r\n      \"absolute_position\": true\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_ProjectCreditsWhite\\\">SERVICES<br \/>Exhibition Design, Exhibition Graphics<\/p><p class=\\\"_ProjectCreditsWhite\\\">VISUAL SPACE AGENCY<br \/>Julia Volkmar, Moritz Kreul<br \/><br \/><br \/>CLIENT<br \/>Staatliche Museen zu Berlin, Stiftung Preu\u00dfischer Kulturbesitz<br \/><br \/>CURATION<br \/>Steffen Backhaus, Thea Beger, Katja B\u00f6hlau, Lisa Botti, Christina Dembny, Lea Hagedorn, Josephine Hein, Laura Hinrichsen, Lisa H\u00f6rstmann, Laurenz Kern, Jenny K\u00f6rber, Emma Shu-hui Lin, Franziska May, Stefanie Meisgeier, Sophia Nava, Rebekka Pabst, Jill Praus, Tobias Renner, Giulia Russo, Julius Roch, Theresia Schmitt, Lena Steffens, Matthias Thaden, Elena Then, Valentin Veldhues<br \/><br \/>EXHIBITION IDEA AND CONCEPT<br \/>Franziska May, Valentin Veldhues, Josephine Hein<br \/><br \/>EXHIBITION ARCHITECTURE<br \/>Steffen Backhaus, Laura Hinrichsen, Franziska May, Marion Stenzel<br \/><br \/>GRAPHIC PRODUCTION<br \/>Heerlein Werbegrafik<br \/><br \/><br \/>PHOTOGRAPHY<br \/>Alexander Butz<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 10,\r\n      \"relid\": 6,\r\n      \"absolute_position\": true\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard20px\\\"><span style=\\\"color: 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Destroyed, Divided, Completed,\u201d showcases fragmented artworks spanning various eras and genres. The exhibition meticulously explores the intricate histories behind these fragments, not just as catalysts for scholarly discussion but also as windows into the complex realm of musealization. Akin to the concept of fragmentation, musealization involves placing objects outside their initial context. Featuring exhibits from 23 collections within the Stiftung Preu\u00dfischer Kulturbesitz, the exhibition invites visitors to unravel the complex stories behind these fragments.<\/p><p class=\\\"_Standard20pxWhite\\\">The exhibition design embraces the theme of fragmentation, with texts spanning sections of walls painted in a striking yellow, disregarding their boundaries. Fracture lines on the floor tiles serve as a navigational guide, creating a cohesive routing system throughout the exhibition space. 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