{"id":202,"date":"2021-05-11T22:08:47","date_gmt":"2021-05-11T20:08:47","guid":{"rendered":"https:\/\/visual-space-agency.com\/hella-jongerius-2\/"},"modified":"2024-06-28T16:44:05","modified_gmt":"2024-06-28T14:44:05","slug":"zheng-bo","status":"publish","type":"post","link":"https:\/\/visual-space-agency.com\/en\/zheng-bo\/","title":{"rendered":"ZHENG BO"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":988,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,49,5,50],"tags":[20],"class_list":["post-202","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-ausstellungsdesign","category-spatial-design","category-szenografie","tag-gropius-bau"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 0,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 20\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 10,\r\n \"rightFrameMargin\": 10,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 20,\r\n \"rowAttrs\": [\r\n {\r\n \"bgimage\": {\r\n \"attid\": 987,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"sizes\": {\r\n \"_1920\": {\r\n \"w\": 1920,\r\n \"h\": 1280,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar-1920x1280.png\"\r\n },\r\n \"_1280\": {\r\n \"w\": 1280,\r\n \"h\": 854,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar-1280x854.png\"\r\n },\r\n \"_1024\": {\r\n \"w\": 1024,\r\n \"h\": 683,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar-1024x683.png\"\r\n },\r\n \"_768\": {\r\n \"w\": 768,\r\n \"h\": 512,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar-768x512.png\"\r\n },\r\n \"_512\": {\r\n \"w\": 512,\r\n \"h\": 341,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar-512x341.png\"\r\n },\r\n \"_265\": {\r\n \"w\": 265,\r\n \"h\": 177,\r\n \"url\": \"\/wp-content\/uploads\/2023\/04\/06_Zheng-Bo_Exhibition_Julia-Volkmar-265x177.png\"\r\n }\r\n }\r\n },\r\n \"row100vh\": true,\r\n \"rowcustomheight\": \"\",\r\n \"relid\": 7\r\n },\r\n {\r\n \"bgcolor\": \"#000000\",\r\n \"row100vh\": false,\r\n \"rowcustomheight\": \"75vh\",\r\n \"relid\": 8\r\n },\r\n {\r\n \"relid\": 10\r\n },\r\n {\r\n \"relid\": 21\r\n },\r\n {\r\n \"relid\": 11\r\n },\r\n {\r\n \"relid\": 1407\r\n },\r\n {\r\n \"relid\": 34\r\n },\r\n {\r\n \"relid\": 9\r\n },\r\n {\r\n \"relid\": 38\r\n },\r\n {\r\n \"relid\": 29\r\n },\r\n {\r\n \"relid\": 24\r\n },\r\n {\r\n \"relid\": 12\r\n },\r\n {\r\n \"relid\": 1408\r\n },\r\n {\r\n \"relid\": 32\r\n },\r\n {\r\n \"relid\": 1409\r\n },\r\n {\r\n \"relid\": 2153\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ZHENG BO<\/span>
Wanwu Council \u842c\u7269\u793e<\/span>
June 21, 2021\u2013August 23, 2021<\/span>
Gropius Bau, Berlin
<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": true,\r\n \"classes\": \"intro-sticky-title color-cycle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201cWanwu Council \u842c\u7269\u793e\u201d presents works by Zheng Bo, born in Beijing in 1974. They live and work on Lantau Island in Hong Kong. In 2020, Bo participated in Gropius Bau\u2019s In House: Artist in Residence<\/em> program. As an eco-queer artist of Bai nationality, Zheng Bo\u2019s artistic practice is shaped by collaboration with both humans and plants, engaging in political activism and social commitment, and addressing issues like the climate crisis and species equality. The focal point of the artist residency was exploring how people can develop a sensitivity to plant politics, challenging and critically reevaluating the existing human\u2013nature relationship. The exhibited artworks include drawings, films, and workshops led by Bo, tackling the issues from both scientific and spiritual perspectives.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 4,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 5,\r\n \"absolute_position\": true\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SERVICES\u00a0
Exhibition Graphics

VISUAL SPACE AGENCY
Julia Volkmar


CLIENT
Gropius Bau, Berliner Festspiele

CURATION
Stephanie Rosenthal with Clare Molloy

PROJECT MANAGEMENT
Katharina Heise

EXHIBITION ARCHITECTURE
Simone Schmaus

GRAPHICS PRODUCTION
Villa Schm\u00fcck Dich GmbH


PHOTOGRAPHY
Luca Girardini, Alexander Butz<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 10,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 10,\r\n \"relid\": 6,\r\n \"absolute_position\": true\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.2,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 3,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 2155,\r\n \"attid\": 988,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-1280x1920.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-1024x1536.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-768x1152.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-265x397.png\"\r\n },\r\n \"w\": 1417,\r\n \"h\": 2125,\r\n \"ar\": 1.4996471418489767,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition and work titles in English and Chinese are arranged vertically, aligning with the traditional reading direction of Chinese from top to bottom. Additional information is rotated 90 degrees counterclockwise and positioned between the title and the main text, thereby emphasizing the vertical form of the titles.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 4,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 30,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"onethird\",\r\n \"row\": 4,\r\n \"col\": 1,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 2161,\r\n \"attid\": 983,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar-1920x1280.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar-1280x853.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar-1024x683.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar-768x512.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar-512x341.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/02_Zheng-Bo_Exhibition_Julia-Volkmar-265x177.png\"\r\n },\r\n \"w\": 2100,\r\n \"h\": 1400,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 2150,\r\n \"attid\": 992,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-1280x1920.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-1024x1536.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-768x1152.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-265x397.png\"\r\n },\r\n \"w\": 1417,\r\n \"h\": 2125,\r\n \"ar\": 1.4996471418489767,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 1,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": -10,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 2152,\r\n \"attid\": 990,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-1280x1919.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-1024x1535.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-768x1151.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-265x397.png\"\r\n },\r\n \"w\": 1334,\r\n \"h\": 2000,\r\n \"ar\": 1.4992503748125936,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/05\/17_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 5,\r\n \"col\": 7,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 31,\r\n \"attid\": 1543,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/05\/17_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/05\/17_Zheng-Bo_Exhibition_Julia-Volkmar-768x1086.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/05\/17_Zheng-Bo_Exhibition_Julia-Volkmar-512x724.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/05\/17_Zheng-Bo_Exhibition_Julia-Volkmar-265x375.png\"\r\n },\r\n \"w\": 842,\r\n \"h\": 1191,\r\n \"ar\": 1.4144893111638954,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Likewise, the titles of the exhibition chapters are positioned vertically at the start of each room. Visitors are guided by the seasons of Winter and Spring, which thematically divide the exhibition into two chapters.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 37,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2159,\r\n \"attid\": 984,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar-1920x1280.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar-1280x853.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar-1024x683.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar-768x512.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar-512x341.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/03_Zheng-Bo_Exhibition_Julia-Volkmar-265x177.png\"\r\n },\r\n \"w\": 2100,\r\n \"h\": 1400,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

An invitation to sit and contemplate is the heart of the exhibition. Accordingly, the exhibition texts are placed low enough to be read while seated. The artworks \u2013 intricate drawings of plants evocative of diary entries \u2013 are exhibited close to the ground on thin wooden panels balanced upon cobblestones. Both are repurposed materials: the panels are on loan from Gropius Bau\u2019s storage depot, while the stones are borrowed directly from the parking lot outside of the building. Bo re-christened the parking lo \u201cGropius Grove,\u201d dedicating it as a place for meditation during the course of the exhibition. The exhibition texts\u2019 small monospace typography in turquoise is reminiscent of the theme of plants as well as labels in scientific schematic drawings.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 5,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 39,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/05\/15_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 2,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 35,\r\n \"attid\": 1541,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/05\/15_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2021\/05\/15_Zheng-Bo_Exhibition_Julia-Volkmar-1280x512.png\",\r\n 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ZHENG BO<\/span>
Wanwu Council \u842c\u7269\u793e<\/span>
June 21, 2021\u2013August 23, 2021<\/span>
Gropius Bau, Berlin
<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"5\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"classes\": \"intro-sticky-title color-cycle\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201cWanwu Council \u842c\u7269\u793e\u201d presents works by Zheng Bo, born in Beijing in 1974. They live and work on Lantau Island in Hong Kong. In 2020, Bo participated in Gropius Bau\u2019s In House: Artist in Residence<\/em> program. As an eco-queer artist of Bai nationality, Zheng Bo\u2019s artistic practice is shaped by collaboration with both humans and plants, engaging in political activism and social commitment, and addressing issues like the climate crisis and species equality. The focal point of the artist residency was exploring how people can develop a sensitivity to plant politics, challenging and critically reevaluating the existing human\u2013nature relationship. The exhibited artworks include drawings, films, and workshops led by Bo, tackling the issues from both scientific and spiritual perspectives.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"10\",\r\n \"spacebelow\": \"5\",\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": true,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SERVICES\u00a0
Exhibition Graphics

VISUAL SPACE AGENCY
Julia Volkmar


CLIENT
Gropius Bau, Berliner Festspiele

CURATION
Stephanie Rosenthal with Clare Molloy

PROJECT MANAGEMENT
Katharina Heise

EXHIBITION ARCHITECTURE
Simone Schmaus

GRAPHICS PRODUCTION
Villa Schm\u00fcck Dich GmbH


PHOTOGRAPHY
Luca Girardini, Alexander Butz<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"5\",\r\n \"spacebelow\": \"10\",\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": true,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"0\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition and work titles in English and Chinese are arranged vertically, aligning with the traditional reading direction of Chinese from top to bottom. Additional information is rotated 90 degrees counterclockwise and positioned between the title and the main text, thereby emphasizing the vertical form of the titles.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 30,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2155,\r\n \"attid\": 988,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-1280x1920.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-1024x1536.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-768x1152.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/07_Zheng-Bo_Exhibition_Julia-Volkmar-265x397.png\"\r\n },\r\n \"w\": 1417,\r\n \"h\": 2125,\r\n \"ar\": 1.4996471418489767,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2150,\r\n \"attid\": 992,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-1280x1920.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-1024x1536.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-768x1152.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/11_Zheng-Bo_Exhibition_Julia-Volkmar-265x397.png\"\r\n },\r\n \"w\": 1417,\r\n \"h\": 2125,\r\n \"ar\": 1.4996471418489767,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Likewise, the titles of the exhibition chapters are positioned vertically at the start of each room. Visitors are guided by the seasons of Winter and Spring, which thematically divide the exhibition into two chapters.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 37,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2152,\r\n \"attid\": 990,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-1280x1919.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-1024x1535.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-768x1151.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/04\/09_Zheng-Bo_Exhibition_Julia-Volkmar-265x397.png\"\r\n },\r\n \"w\": 1334,\r\n \"h\": 2000,\r\n \"ar\": 1.4992503748125936,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

An invitation to sit and contemplate is the heart of the exhibition. Accordingly, the exhibition texts are placed low enough to be read while seated. The artworks \u2013 intricate drawings of plants evocative of diary entries \u2013 are exhibited close to the ground on thin wooden panels balanced upon cobblestones. Both are repurposed materials: the panels are on loan from Gropius Bau\u2019s storage depot, while the stones are borrowed directly from the parking lot outside of the building. Bo re-christened the parking lo \u201cGropius Grove,\u201d dedicating it as a place for meditation during the course of the exhibition. 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