{"id":195,"date":"2020-02-11T21:57:02","date_gmt":"2020-02-11T20:57:02","guid":{"rendered":"https:\/\/visual-space-agency.com\/akinbode-akinbiyi-2\/"},"modified":"2025-05-30T10:35:25","modified_gmt":"2025-05-30T08:35:25","slug":"lee-mingwei","status":"publish","type":"post","link":"https:\/\/visual-space-agency.com\/en\/lee-mingwei\/","title":{"rendered":"LEE MINGWEI"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":405,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,49,47,8,7,5,50],"tags":[20],"class_list":["post-195","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-ausstellungsdesign","category-exhibition-catalog","category-book","category-catalog","category-spatial-design","category-szenografie","tag-gropius-bau"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 0,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 1,\r\n 5,\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 10,\r\n \"rightFrameMargin\": 10,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 10,\r\n \"rowAttrs\": [\r\n {\r\n \"bgimage\": {\r\n \"attid\": 581,\r\n \"url\": \"\/wp-content\/uploads\/2022\/11\/24_Lee-Mingwei_Exhibition_Julia-Volkmar_1500x1001.png\",\r\n \"sizes\": {\r\n \"_1280\": {\r\n \"w\": 1280,\r\n \"h\": 854,\r\n \"url\": \"\/wp-content\/uploads\/2022\/11\/24_Lee-Mingwei_Exhibition_Julia-Volkmar_1500x1001-1280x854.png\"\r\n },\r\n \"_1024\": {\r\n \"w\": 1024,\r\n \"h\": 683,\r\n \"url\": \"\/wp-content\/uploads\/2022\/11\/24_Lee-Mingwei_Exhibition_Julia-Volkmar_1500x1001-1024x683.png\"\r\n },\r\n \"_768\": {\r\n \"w\": 768,\r\n \"h\": 513,\r\n \"url\": \"\/wp-content\/uploads\/2022\/11\/24_Lee-Mingwei_Exhibition_Julia-Volkmar_1500x1001-768x513.png\"\r\n },\r\n \"_512\": {\r\n \"w\": 512,\r\n \"h\": 342,\r\n \"url\": \"\/wp-content\/uploads\/2022\/11\/24_Lee-Mingwei_Exhibition_Julia-Volkmar_1500x1001-512x342.png\"\r\n },\r\n \"_265\": {\r\n \"w\": 265,\r\n \"h\": 177,\r\n \"url\": \"\/wp-content\/uploads\/2022\/11\/24_Lee-Mingwei_Exhibition_Julia-Volkmar_1500x1001-265x177.png\"\r\n }\r\n }\r\n },\r\n \"row100vh\": true,\r\n \"rowcustomheight\": \"\",\r\n \"relid\": 7\r\n },\r\n {\r\n \"bgcolor\": \"#000000\",\r\n \"row100vh\": false,\r\n \"rowcustomheight\": \"75vh\",\r\n \"relid\": 8\r\n },\r\n {\r\n \"relid\": 872\r\n },\r\n {\r\n \"relid\": 9\r\n },\r\n {\r\n \"relid\": 13\r\n },\r\n {\r\n \"relid\": 10\r\n },\r\n {\r\n \"relid\": 15\r\n },\r\n {\r\n \"relid\": 11\r\n },\r\n {\r\n \"relid\": 12\r\n },\r\n {\r\n \"relid\": 852\r\n },\r\n {\r\n \"relid\": 1336\r\n },\r\n {\r\n \"relid\": 14\r\n },\r\n {\r\n \"relid\": 19\r\n },\r\n {\r\n \"relid\": 49\r\n },\r\n {\r\n \"bgcolor\": \"#000000\",\r\n \"relid\": 18\r\n },\r\n {\r\n \"relid\": 48\r\n },\r\n {\r\n \"relid\": 50\r\n },\r\n {\r\n \"relid\": 16\r\n },\r\n {\r\n \"relid\": 865\r\n },\r\n {\r\n \"relid\": 873\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

LEE MINGWEI
<\/span>\u79ae Li, Gifts and Rituals
March 27, 2020\u2013July 12, 2020
Gropius Bau, Berlin<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": true,\r\n \"classes\": \"intro-sticky-title color-cycle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Participatory installations are the focal point of Lee Mingwei\u2019s work. The Taiwanese-American artist, born in 1964, creates situations in which people engage with concepts like trust, intimacy, and self-discovery. Often, everyday interactions like sharing meals or conversation provide the framework for these encounters. Lee sees this ephemeral exchange as an act of giving and receiving, a theme explored in the exhibition \u201c\u79ae Li, Gifts and Rituals\u201d at the Gropius Bau. The solo exhibition shows performances and installations spanning three decades.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 4,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 5,\r\n \"absolute_position\": true\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SERVICES
Exhibitions Graphics, Catalog<\/p>

VISUAL SPACE AGENCY
Julia Volkmar, Moritz Kreul (collaboration on catalog)<\/p>


CLIENT
Gropius Bau,\u00a0Berliner Festspiele

CURATION
Dr. Stephanie Rosenthal with Clare Molloy

PROJECT LEAD
Lisa Tietze

EXHIBITION ARCHITECTURE
Simone Schmaus

GRAPHIC PRODUCTION
PPS Imaging GmbH<\/p>


CATALOG
\u79ae Li, Geschenke und Rituale \/ \u79ae Li, Gifts and Rituals

EDITOR
Stephanie Rosenthal

PUBLISHING
Silvana Editoriale, Milan 2019
24 x 17 cm 224 pages, 86 colored pictures
ISBN German Edition \u2013\u00a09788836646029
ISBN English Edition \u2013 9788836646036


PHOTOS
Laura Fiorio, Alexander Butz,\u00a0Moritz Kreul<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 10,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 10,\r\n \"relid\": 6,\r\n \"absolute_position\": true\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.2,\r\n \"push\": 0,\r\n \"relid\": 1337,\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/35_Lee-Mingwei_Exhibition_Julia-Volkmar_1284x1926.png\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 4,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 848,\r\n \"attid\": 609,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/35_Lee-Mingwei_Exhibition_Julia-Volkmar_1284x1926.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/35_Lee-Mingwei_Exhibition_Julia-Volkmar_1284x1926-1280x1920.png\",\r\n \"_1024\": 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Vertical titles with generously spaced letters in combination with text blocks that vary in width, depending on their content, evoke an impression of Chinese script, a nod to Lee\u2019s Taiwanese heritage. 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Alluding to the concept of art as a transformative gift, the bilingual exhibition catalog, compact in size, is wrapped in transparent orange paper. 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The catalog\u2019s binding draws inspiration from Lee Mingwei\u2019s work \u201cThe Mending Project\u201d, where visitor\u2019s textiles are repaired. According to the Japanese method of kintsugi<\/em>, the visible repair work serves as a reminder for the care invested into the object. 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LEE MINGWEI
<\/span>\u79ae Li, Gifts and Rituals
March 27, 2020\u2013July 12, 2020
Gropius Bau, Berlin<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"5\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"classes\": \"intro-sticky-title color-cycle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Participatory installations are the focal point of Lee Mingwei\u2019s work. The Taiwanese-American artist, born in 1964, creates situations in which people engage with concepts like trust, intimacy, and self-discovery. Often, everyday interactions like sharing meals or conversation provide the framework for these encounters. Lee sees this ephemeral exchange as an act of giving and receiving, a theme explored in the exhibition \u201c\u79ae Li, Gifts and Rituals\u201d at the Gropius Bau. The solo exhibition shows performances and installations spanning three decades.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"10\",\r\n \"spacebelow\": \"5\",\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SERVICES
Exhibitions Graphics, Catalog<\/p>

VISUAL SPACE AGENCY
Julia Volkmar, Moritz Kreul (collaboration on catalog)<\/p>


CLIENT
Gropius Bau,\u00a0Berliner Festspiele

CURATION
Dr. Stephanie Rosenthal with Clare Molloy

PROJECT LEAD
Lisa Tietze

EXHIBITION ARCHITECTURE
Simone Schmaus

GRAPHIC PRODUCTION
PPS Imaging GmbH<\/p>


CATALOG
\u79ae Li, Geschenke und Rituale \/ \u79ae Li, Gifts and Rituals

EDITOR
Stephanie Rosenthal

PUBLISHING
Silvana Editoriale, Milan 2019
24 x 17 cm 224 pages, 86 colored pictures
ISBN German Edition \u2013\u00a09788836646029
ISBN English Edition \u2013 9788836646036


PHOTOS
Laura Fiorio, Alexander Butz,\u00a0Moritz Kreul<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"5\",\r\n \"spacebelow\": \"10\",\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"0\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 1337,\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/35_Lee-Mingwei_Exhibition_Julia-Volkmar_1284x1926.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 848,\r\n \"attid\": 609,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/35_Lee-Mingwei_Exhibition_Julia-Volkmar_1284x1926.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/35_Lee-Mingwei_Exhibition_Julia-Volkmar_1284x1926-1280x1920.png\",\r\n \"_1024\": 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Vertical titles with generously spaced letters in combination with text blocks that vary in width, depending on their content, evoke an impression of Chinese script, a nod to Lee\u2019s Taiwanese heritage. 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Catalog<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 17,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"0\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 17,\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Alluding to the concept of art as a transformative gift, the bilingual exhibition catalog, compact in size, is wrapped in transparent orange paper. 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The catalog\u2019s binding draws inspiration from Lee Mingwei\u2019s work \u201cThe Mending Project\u201d, where visitor\u2019s textiles are repaired. According to the Japanese method of kintsugi<\/em>, the visible repair work serves as a reminder for the care invested into the object. 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