{"id":187,"date":"2019-04-11T21:35:56","date_gmt":"2019-04-11T19:35:56","guid":{"rendered":"https:\/\/visual-space-agency.com\/cinderella-sindbad-sinuhe-2\/"},"modified":"2024-07-06T22:30:27","modified_gmt":"2024-07-06T20:30:27","slug":"garten-der-irdischen-freuden","status":"publish","type":"post","link":"https:\/\/visual-space-agency.com\/en\/garten-der-irdischen-freuden\/","title":{"rendered":"GARDEN OF EARTHLY DELIGHTS"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":796,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,49,47,8,7,5,50],"tags":[20],"class_list":["post-187","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-ausstellungsdesign","category-exhibition-catalog","category-book","category-catalog","category-spatial-design","category-szenografie","tag-gropius-bau"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 0,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 10,\r\n \"rightFrameMargin\": 10,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 20,\r\n \"rowAttrs\": [\r\n {\r\n \"bgimage\": {\r\n \"attid\": 796,\r\n \"url\": \"\/wp-content\/uploads\/2023\/01\/15_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1874x1249.png\",\r\n \"sizes\": {\r\n \"_1280\": {\r\n \"w\": 1280,\r\n \"h\": 853,\r\n \"url\": \"\/wp-content\/uploads\/2023\/01\/15_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1874x1249-1280x853.png\"\r\n },\r\n \"_1024\": {\r\n \"w\": 1024,\r\n \"h\": 682,\r\n \"url\": \"\/wp-content\/uploads\/2023\/01\/15_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1874x1249-1024x682.png\"\r\n },\r\n \"_768\": {\r\n \"w\": 768,\r\n \"h\": 512,\r\n \"url\": \"\/wp-content\/uploads\/2023\/01\/15_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1874x1249-768x512.png\"\r\n },\r\n \"_512\": {\r\n \"w\": 512,\r\n \"h\": 341,\r\n \"url\": \"\/wp-content\/uploads\/2023\/01\/15_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1874x1249-512x341.png\"\r\n },\r\n \"_265\": {\r\n \"w\": 265,\r\n \"h\": 177,\r\n \"url\": \"\/wp-content\/uploads\/2023\/01\/15_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1874x1249-265x177.png\"\r\n }\r\n }\r\n },\r\n \"row100vh\": true,\r\n \"rowcustomheight\": \"\",\r\n \"relid\": 6\r\n },\r\n {\r\n \"bgcolor\": \"#000000\",\r\n \"row100vh\": false,\r\n \"relid\": 7\r\n },\r\n {\r\n \"relid\": 9\r\n },\r\n {\r\n \"relid\": 8\r\n },\r\n {\r\n \"relid\": 2737\r\n },\r\n {\r\n \"relid\": 49\r\n },\r\n {\r\n \"relid\": 18\r\n },\r\n {\r\n \"relid\": 28\r\n },\r\n {\r\n \"relid\": 52\r\n },\r\n {\r\n \"relid\": 2698\r\n },\r\n {\r\n \"relid\": 51\r\n },\r\n {\r\n \"relid\": 12\r\n },\r\n {\r\n \"relid\": 17\r\n },\r\n {\r\n \"relid\": 13\r\n },\r\n {\r\n \"relid\": 54\r\n },\r\n {\r\n \"relid\": 2701\r\n },\r\n {\r\n \"relid\": 14\r\n },\r\n {\r\n \"row100vh\": false,\r\n \"relid\": 15\r\n },\r\n {\r\n \"relid\": 1348\r\n },\r\n {\r\n \"relid\": 2700\r\n },\r\n {\r\n \"relid\": 1084\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GARDEN OF EARTHLY DELIGHTS
July 26, 2019\u2013Dec 1, 2019
Gropius Bau, Berlin<\/p>

\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 697,\r\n \"absolute_position\": false,\r\n \"classes\": \"intro-sticky-title color-cycle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201cGarden of Earthly Delights\u201d brings together the positions of over 20 international artists. The garden serves both as a metaphor for the state of the world and a starting point for engaging with the complexities of the present.<\/p>

WITH ARTWORKS BY
Maria Thereza Alves, Korakrit Arunanondchai, Hicham Berrada, John Cage, Tacita Dean, Nathalie Djurberg & Hans Berg, Futurefarmers, Lungiswa Gqunta, Libby Harward, Rashid Johnson, Yayoi Kusama, Louise Lawler, Renato Leotta, Isabel Lewis und LABOUR, Jumana Manna, Uriel Orlow, Heather Phillipson, Pipilotti Rist, Maaike Schoorel, Taro Shinoda, Zheng Bo sowie einem Gem\u00e4lde aus der Bosch-Nachfolge<\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 4,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SERVICES
Exhibition Graphics, Catalog

VISUAL SPACE AGENCY
Julia Volkmar with Moritz Kreul


CLIENT
Gropius Bau, Berliner Festspiele

CURATION
Stephanie Rosenthal with Clara Meister, Gropius Bau

PROJECT MANAGEMENT
Sophie Winckler

EXHIBITION ARCHITECTURE
Andreas Lechthaler Architecture

GRAPHICS PRODUCTION
Druckservice Schellenberg GmbH


CATALOG
Garden of Earthly Delights

EDITOR
Stephanie Rosenthal

PUBLISHER
Silvana Editoriale, Milan 2019
German\/English
22.5 x 30 cm
394 pages, 100 colored pictures
ISBN 9788836644544


PHOTOGRAPHY
Mathias Voelzke, Alexander Butz, Julia Volkmar, Moritz Kreul<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 10,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 5,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591.png\",\r\n \"align\": \"onethird\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 2736,\r\n \"attid\": 413,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591-1920x1280.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591-1280x854.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591-1024x683.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591-768x512.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591-512x341.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591-265x177.png\"\r\n },\r\n \"w\": 2386,\r\n \"h\": 1591,\r\n \"ar\": 0.6668063704945516,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Catalog<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.2,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"absolute_position\": false,\r\n \"classes\": \"invert\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The cover of the exhibition catalog features shadows of leaves on a metallic background. The catalog\u2019s outer double flap alludes to the Hortus conclusus<\/em> (enclosed garden), a theme in visual arts dating back to the Old Testament. The act of opening the catalog resembles entering a garden through a gate: immediately, one\u2019s gaze falls upon the portrait of a woman lying in tall grass, returning our gaze. The still is part of the video installation \u201cHomo Sapiens Sapiens\u201d (2005) by Swiss contemporary artist Pipilotti Rist, one of the central works of the exhibition.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 4,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 16,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856.png\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 2735,\r\n \"attid\": 414,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856.png\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-2560x1707.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-1920x1280.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-1280x854.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-1024x683.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-768x512.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-512x341.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/02_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2783x1856-265x177.png\"\r\n },\r\n \"w\": 2783,\r\n \"h\": 1856,\r\n \"ar\": 0.6669062163133309,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326.gif\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2734,\r\n \"attid\": 415,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326.gif\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326-1920x1281.gif\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326-1280x854.gif\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326-1024x683.gif\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326-768x512.gif\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326-512x342.gif\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/10\/03_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_1988x1326-265x177.gif\"\r\n },\r\n \"w\": 1988,\r\n \"h\": 1326,\r\n \"ar\": 0.6670020120724346,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The first part of the catalog introduces the exhibition\u2019s artists and their works: Full-page images on coated paper allow for a detailed reproduction of the artworks. Philosophical and poetic texts on topics like Anthropocene\/Chthulucene, Paradise, and Utopia\/Dystopia make up the second part of the publication. Designed as a reader, this second part is printed on coated paper. With metallic green typography, it contrasts clearly with the first part of the catalog. Natural meets artificial, glossy meets matte, human meets nature.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 50,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227.png\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 4,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 44,\r\n \"attid\": 806,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-1280x854.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-1024x683.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-768x512.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-512x341.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-265x177.png\"\r\n },\r\n \"w\": 1840,\r\n \"h\": 1227,\r\n \"ar\": 0.6668478260869565,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.2,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047.png\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 1,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 1411,\r\n \"attid\": 798,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047-1280x1921.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047-1024x1537.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047-768x1153.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047-512x768.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/01\/17_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1364x2047-265x398.png\"\r\n },\r\n \"w\": 1364,\r\n \"h\": 2047,\r\n \"ar\": 1.500733137829912,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210.png\",\r\n \"align\": \"middle\",\r\n \"row\": 9,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 1418,\r\n \"attid\": 792,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210-1280x960.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210-1024x768.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210-768x576.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210-512x384.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/01\/11_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1613x1210-265x199.png\"\r\n },\r\n \"w\": 1613,\r\n \"h\": 1210,\r\n \"ar\": 0.750154990700558,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"dosync\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

In the atrium of the Gropius Bau, visitors are greeted by pink-tinted glass walls with white lettering. 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},\r\n {\r\n \"relid\": 26\r\n },\r\n {\r\n \"relid\": 30\r\n },\r\n {\r\n \"relid\": 29\r\n },\r\n {\r\n \"relid\": 32\r\n },\r\n {\r\n \"relid\": 60\r\n },\r\n {\r\n \"relid\": 31\r\n },\r\n {\r\n \"relid\": 33\r\n },\r\n {\r\n \"relid\": 34\r\n },\r\n {\r\n \"relid\": 35\r\n },\r\n {\r\n \"relid\": 37\r\n },\r\n {\r\n \"relid\": 36\r\n },\r\n {\r\n \"relid\": 38\r\n },\r\n {\r\n \"relid\": 39\r\n },\r\n {\r\n \"relid\": 42\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

GARDEN OF EARTHLY DELIGHTS
July 26, 2019\u2013Dec 1, 2019
Gropius Bau, Berlin<\/p>

\u00a0<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"5\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 697,\r\n \"absolute_position\": false,\r\n \"classes\": \"intro-sticky-title color-cycle\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201cGarden of Earthly Delights\u201d brings together the positions of over 20 international artists. The garden serves both as a metaphor for the state of the world and a starting point for engaging with the complexities of the present.<\/p>

WITH ARTWORKS BY
Maria Thereza Alves, Korakrit Arunanondchai, Hicham Berrada, John Cage, Tacita Dean, Nathalie Djurberg & Hans Berg, Futurefarmers, Lungiswa Gqunta, Libby Harward, Rashid Johnson, Yayoi Kusama, Louise Lawler, Renato Leotta, Isabel Lewis und LABOUR, Jumana Manna, Uriel Orlow, Heather Phillipson, Pipilotti Rist, Maaike Schoorel, Taro Shinoda, Zheng Bo sowie einem Gem\u00e4lde aus der Bosch-Nachfolge<\/p>

\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"10\",\r\n \"spacebelow\": \"5\",\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SERVICES
Exhibition Graphics, Catalog

VISUAL SPACE AGENCY
Julia Volkmar with Moritz Kreul


CLIENT
Gropius Bau, Berliner Festspiele

CURATION
Stephanie Rosenthal with Clara Meister, Gropius Bau

PROJECT MANAGEMENT
Sophie Winckler

EXHIBITION ARCHITECTURE
Andreas Lechthaler Architecture

GRAPHICS PRODUCTION
Druckservice Schellenberg GmbH


CATALOG
Garden of Earthly Delights

EDITOR
Stephanie Rosenthal

PUBLISHER
Silvana Editoriale, Milan 2019
German\/English
22.5 x 30 cm
394 pages, 100 colored pictures
ISBN 9788836644544


PHOTOGRAPHY
Mathias Voelzke, Alexander Butz, Julia Volkmar, Moritz Kreul<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"5\",\r\n \"spacebelow\": \"10\",\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Catalog<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": \"0\",\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"absolute_position\": false,\r\n \"classes\": \"invert\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The cover of the exhibition catalog features shadows of leaves on a metallic background. The catalog\u2019s outer double flap alludes to the Hortus conclusus<\/em> (enclosed garden), a theme in visual arts dating back to the Old Testament. The act of opening the catalog resembles entering a garden through a gate: immediately, one\u2019s gaze falls upon the portrait of a woman lying in tall grass, returning our gaze. The still is part of the video installation \u201cHomo Sapiens Sapiens\u201d (2005) by Swiss contemporary artist Pipilotti Rist, one of the central works of the exhibition.<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 16,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/10\/01_Garten-der-irdischen-Freuden_Catalogue_Julia-Volkmar_2386x1591.png\",\r\n \"align\": \"bottom\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2736,\r\n \"attid\": 413,\r\n \"sizes\": {\r\n \"full\": 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The first part of the catalog introduces the exhibition\u2019s artists and their works: Full-page images on coated paper allow for a detailed reproduction of the artworks. Philosophical and poetic texts on topics like Anthropocene\/Chthulucene, Paradise, and Utopia\/Dystopia make up the second part of the publication. Designed as a reader, this second part is printed on coated paper. With metallic green typography, it contrasts clearly with the first part of the catalog. Natural meets artificial, glossy meets matte, human meets nature.<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 50,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227.png\",\r\n \"align\": \"onethird\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 46,\r\n \"attid\": 806,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-1280x854.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-1024x683.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-768x512.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-512x341.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/01\/25_Garten-der-irdischen-Freuden_Exhibition_Julia-Volkmar_1840x1227-265x177.png\"\r\n },\r\n \"w\": 1840,\r\n \"h\": 1227,\r\n \"ar\": 0.6668478260869565,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Exhibition<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1.04,\r\n \"push\": 0,\r\n \"relid\": 48,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

In the atrium of the Gropius Bau, visitors are greeted by pink-tinted glass walls with white lettering. 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